電影行態由蘇聯知名導演愛森斯坦Eisenstein所撰寫,被視為電影創作美學的經典系列作品之一。電影行態匯集了1928-1945年間撰寫的12篇文章,其中包括愛森斯坦的電影發展理論和有聲電影媒體的關鍵分析。
書中有多次討論到歌舞伎劇場,「蒙太奇法」,「電影行態辨證法」,「電影語言」,及對「狄更斯作品」心靈描繪起始於視覺的論點。書中也收錄有聲電影「導演實驗筆記」中,有對電影的聲明看法,以及在電影工作室的原始照片資料。
Film Form together with The Film Sense, by the internationally renowned Soviet director, and regarded as classic statements on the aesthetics of film-making. Film Form draws together twelve essays written between 1928 and 1945 that demonstrated key points in the development of Eisenstein’s Film theory and in particular his analysis of the sound-film medium. Among the essays are several discussions of the Kabuki theatre, “Methods of Montage,” “A Dialectic Approach to Film Form,” “The Filmic Fourth Dimension,” “Film Language,” and “Dickens, Griffith, and the Film Today.” Also included is a statement on the sound-film by Eisenstein, Pudovkin, and Alexandrov; “Notes from a Director’s Laboratory,” written during work on Ivan the Terrible; and all the diagrams and photographs of the original edition.
愛森斯坦出1898年生於蘇聯里加,是第一位享譽國際的默片時期導演,雖然他一生僅有6部影片問世,但他對電影的理論與看法,仍是至今最具影響力的導演之一。
SergeiMikhailovich Eisenstein, who was born in Rigain 1898, first achieved world fame with his silent film Potemkin in 1925.Although he completed only six films before his death in 1948, he is consideredone of the most influential film-makers and theoreticians of our time.
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會員價:187